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Sono
molto orgogliosa di
contribuire per quanto posso alla realtà culturale e musicale del Ticino, dove
ora vivo e risiedo con mio marito, terra che ci ha
accolti con disponibilità e fiducia e mi ha offerto un ambiente di
lavoro e un sostegno organizzativo attenti ed efficaci.
Ho
cercato e cerco di sostenere, contribuendovi
anche talora gratuitamente con la mia voce, alcune iniziative
ticinesi che reputo di grande valore
musicale e culturale.
…Come
la stagione di concerti e performance “900 e
presente”, ideata da
Diversi miei allievi e allieve hanno potuto fare in
questo festival esperienze molto preziose per la loro maturazione
professionale.
…Oppure
l’originale festival della “Via Lattea”,
gestito con passione da
Anche
in questo contesto, alcune mie ragazze ed anche ex allieve hanno potuto esibirsi
in un ambiente qualificato e stimolante
I am
very proud to contribute, as much as I can, to the cultural and musical environment of Ticino where, now, I live and reside with
my husband, a land that has received us with availability and confidence
and has offered a place to work and a careful and effective organizational
support to me.
I have
tried and I’m trying to support, at
times gratis, with my voice, some initiatives in Ticino that I consider of great musical and cultural value.
… Like
the season of concerts “900 e presente”, conceived
by Giorgio Bernasconi, supported by the Conservatory of
Lugano and hosted by the RSI Radio della
Svizzera Italiana in its
auditorium, that offers to the best
students of the CSI, a prestigious visibility at
a federal and international level and
that involves other
important institutions like the SUPSI and the Dimitri
Theatre.
Many among my
students had the opportunity to make in this festival precious experience for their professional growing.
… Or the ingenious festival of “Via
Lattea”, managed with passion by Mario Pagliarani, that invites the public to listen
to some high level music, executed by
young and promising musicians, in places of the Ticino, often seen from an
angle or in not usual moments, using also not exclusively musical “instruments”, like
video and movements of the artists on the scene and in the places of the
performances.
In this
context too, some of my present and former students could to exhibit
in a qualified and stimulant
atmosphere